![]() And though very outdated in many ways now, there's additional coverage of the guts of the editing environment in September 2006's DP5 review, at /sos/sep06/articles/performer5.htm. It's customary at this point to refer the reader back to some previous reviews, and who am I to buck tradition? My review of DP6 was published in the November 2008 edition of SOS, available on the web at /sos/nov08/articles/dp6.htm. But it's also got a reputation as an all‑rounder, offering sophisticated audio editing and deep MIDI programming features, making it a serious alternative to the other giants of the Mac DAW world. ![]() The headline feature in DP7 is a suite of new guitar-processing plug‑ins that includes various modelled 'stomp box' effects, plus amp (below) and cabinet simulators.ĭigital Performer has long occupied a niche in the world of music‑for‑picture and film scoring, especially in the US. ![]() The latest version of MOTU's Mac sequencer has guitarists firmly in its sights, but there are plenty of general improvements too. ![]()
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